TOXIC ARTS

货币

经过 Peter Fried

蒙德里安树 - 大众


查询: sales@toxic-arts.com

艺术家:彼得·弗里德

尺寸:厘米

年: 2021年

材料:船上油。

框架:

版: 1/1 原件

笔记:

交付:所有交付的帆布/框架物品将单独开具运费发票。

关于: 1960年出生于捷克布拉格,在苏格兰求学后,在圣马丁艺术学院学习了一年(1978-9)。次年,我开始在斯莱德美术学院学习,并于 1984 年毕业。我于 1995 年从伦敦移居美国,此后一直住在佛蒙特州。 1999年艺术创作中抽身研究佛学,开始画画。艺术学校毕业后,我举办过个,也参加过群展。

我尽量不去想题材的选择有些东西引起了我的注意,我相信这个过程的“第一想法,最佳想法”质量。我不需要在一种特殊的心态下才能画画,我的经验是当我画画的时候,我会被引入一种特殊的心态。我可以将其称为“处于状态”或无忧无虑的吸收或恩典。在这种状态下,我的焦虑和疏离都减轻了。我可能会进入一种与我所感知的交流的状态。感觉和感觉对象之间出现了一个无缝的连续体。我很享受这种存在的状态。我几乎可以说我为它而活,为它而活,为它服务。对我来说,这种状态是作为艺术创作者进行工作所需要的。我的尽职调查只需要关心我是否能够进入这种存在状态。在其中所有的考虑因素:技术、美学、主题、材料和其他方面都占有一席之地和比例。整体与部分相关,反之亦然。一个世界是根据所有其他可能性、所有其他选择而创造和布局的。在工作之前、期间和之后,思想、联想、并列想法都会出现。在无忧无虑的状态下,这些并没有变得过分,而是习惯了轻装上阵。没有什么是确定的。方向和流程很容易移动。

收藏品

他有许多作品被收入洛克菲勒私人收藏

展览会

新英格兰现在,谢尔本博物馆,佛蒙特州谢尔本。

教育

博鳌亚洲论坛。英国伦敦大学学院斯莱德美术学院。
美术基础 - 圣马丁艺术学院,伦敦,英国。

Peter Fried

I was born in Prague in the Czech Republic in 1960. After schooling in Scotland, I studied at St Martin’s School of Art for one year (1978-9). The following year I began studies at The Slade School of Fine Art and graduated in 1984. I moved to America from London in 1995, and have lived in Vermont since. After taking a break from art-making to study Buddhism, I have been painting since 1999. I have had solo exhibitions and been included in group shows since graduating from art school.

I try not to think too hard about the choice of subject matter. Something captures my attention, and I trust the “First thought, best thought” quality of the process. I don’t need to be in a special state of mind in order to paint, my experience is that when I paint, I am ushered into a special state of mind. I can speak of this as, “being in the zone” or, care-free absorption, or grace. In this state my anxieties and a sense of apartness soften. I may enter into a state of communion with what I perceive. There appears a seamless continuum between feeling and felt object. I enjoy this state of being. I could almost say that I live for it, live to be in it, and to serve it. For me this state is all that is required in order to perform work as an art maker. My due diligence needs only to concern itself with whether I am able to access this state of being, or not. Within it all considerations: technical, aesthetic, thematic, material and otherwise assume a place and proportion. The whole is in relationship to the parts, and visa versa. A world is created and laid out against all other possibilities, all other choices. Before, during and after the work, thoughts, associations, juxtapositions, and ideas emerge. In a carefree state, these do not become over bearing, rather assume the habit of cloth lightly worn. Nothing is nailed down. Directions and flow move easily.

 

Notable:

  • BA Fine Art Slade, London
  • Rockefeller Collection
  • Exhibited, ‘New England Now’, Shelburne Museum

Contact us: sales@toxic-arts.com for any enquiries.